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Romain Gavras is preparing a film about the Louvre heist

Romain Gavras is preparing a film about the Louvre heist

May 15, 2026May 15, 2026

The director of “The World is Yours” and “Athena” has found the subject of his next film. The French Film reveals today the new project…

Cannes 2026: Fatherland, the winter journey of Thomas Mann

Cannes 2026: Fatherland, the winter journey of Thomas Mann

May 15, 2026

Eight years after Cold War, the Polish filmmaker returns to Cannes with a miniature film about the return of Thomas Mann to the torn Germany…

Marion Cotillard flees justice in the first Karma teaser

Marion Cotillard flees justice in the first Karma teaser

May 15, 2026May 15, 2026

The actress reunites with Guillaume Canet in this thriller presented at Cannes 2026. This is one of the events of the Cannes Film Festival. Guillaume…

Maxence Voiseux: “The documentary is a molecule that accelerates life”

Maxence Voiseux: “The documentary is a molecule that accelerates life”

May 15, 2026May 15, 2026

Presented in Cannes, Gabin by Maxence Voiseux follows the emancipation of a country boy over ten years. Here he talks about the making of this…

Cannes 2026: what is the new Asghar Farhadi, Parallel Stories worth? (critical)

Cannes 2026: what is the new Asghar Farhadi, Parallel Stories worth? (critical)

May 14, 2026May 14, 2026

The Iranian director revisits the sixth episode of Kieslowski’s Decalogue with a four-star cast, where Adam Bessa and Virginie Efira particularly shine Based on an…

The Electric Venus, Obsession, Parallel Stories: what’s new at the cinema this week

The Electric Venus, Obsession, Parallel Stories: what’s new at the cinema this week

May 14, 2026May 14, 2026

What to see in theaters THE EVENTTHE ELECTRIC VENUS ★★★★☆ By Pierre Salvadori The essentials A marvel of comedy as light as it is profound,…

Box office France: The Electric Venus is a hit after its launch at Cannes 2026

Box office France: The Electric Venus is a hit after its launch at Cannes 2026

May 14, 2026May 14, 2026

Pierre Salvadori’s comedy gets off to a better start than Leaving a Day last year. Driven by an excellent critical reception, The Electric Venus took…

Cannes 2026: A few days in Nagi, a delicate sentimental study, at the risk of blandness

Cannes 2026: A few days in Nagi, a delicate sentimental study, at the risk of blandness

May 14, 2026May 14, 2026

Kôji Fukada, for the first time in competition at Cannes, depicts the life of a few lost souls in a Japanese village, with subtlety but…

Cannes 2026 – A Woman’s Life: Léa Drucker dazzling (review)

Cannes 2026 – A Woman’s Life: Léa Drucker dazzling (review)

May 14, 2026

After Les Amours d’Anaïs, Charline Bourgeois-Tacquet successfully combines her taste for marivaudage with social concerns around a failing French hospital system We discovered Charline Bourgeois-Tacquet…

Cannes 2026 – In Waves: wonderfully moving (review)

Cannes 2026 – In Waves: wonderfully moving (review)

May 14, 2026May 14, 2026

We already have the first nugget of Cannes 2026. An animated film opening Critics’ Week is already a small event in itself. After the tidal…

Cannes 2026: Gabin, a very beautiful Boyhood in Artois

Cannes 2026: Gabin, a very beautiful Boyhood in Artois

May 14, 2026May 14, 2026

Maxence Voiseux’s first feature at La Quinzaine, Gabin follows a boy from the North for ten years torn between his father’s butchery and his own…

Cannes 2026: why Fast and Furious is a true classic

Cannes 2026: why Fast and Furious is a true classic

May 14, 2026May 14, 2026

Cannes invites Vin Diesel and his Supra to Lumière to celebrate the 25th anniversary of the film. Marketing operation? No doubt. But also, the opportunity…

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